Families get a brief taste of life on the other side of the socio-economic divide but always come to realize that the grass is not greener there. Julie Anne Taddeo writes that “ot surprisingly, does not intend a serious re-evaluation of the social structures that define these contrasting households, instead viewing class more as a matter of lifestyle than economics.
Nihonjin no shiranai nihongo reviews tv#
Neither of these examples of reality TV shows particularly explores social issues. (In fact it could also be said that a feature of reality TV (as opposed to the documentary) is its limited, almost superficial (or non-existent) treatment of social issues. Another obvious example is a show like Wife Swap – which simply takes women out of their “natural habitat” and places them in an unfamiliar domestic environment in order to demonstrate the difference between the two family’s divergent lifestyles.
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This notion is especially apparent in shows like Survivor, where contestants are put on an island with limited resources with the goal being to “survive” as long as possible (against the harsh environment and the bitchy co-contestants).
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I feel that as well as this focus on the emotional experience, another inherent difference is that while the documentary maker generally presents an account of a naturally occurring or current event, reality TV often takes ordinary people and put them in an artificially created situation, or rather, they fabricate the event or arena for the participants. She continues that as explored by Anita Biressi and Heather Nunn, while documentary is primarily concerned with social issues, reality television is more akin to “therapeutic television” in that “audiences often gauge the authenticity of truthfulness of reality TV on a scale of emotional realism and personal revelation.” (p38 – Biressi & Nunn, p5) She states that subsequently reality TV is not as much “an account of the event, but of the experience.” (p37) She states that while the terms appear to be interchangeable, “the subtle differentiation between them emphasizes the contrasts inform between the two genres.” In a documentary, while individual perceptions of the event are typically included, it is the “accuracy aspect of the narrative that is underscored.” Conversely, reality shows are more interested in “social actors” whereas their situation “takes a secondary role”. Foremost is the fact that while the documentary can be said to present itself as the “truth,” the reality show is more concerned with the “authentic.”” (p37) Malgorzata Rymsza-Pawlowska writes that: “hile reality television certainly bears some resemblance to a documentary format, there are several very important distinctions. While reality TV could be loosely described as the unfolding of real people’s reactions to real events – reality TV has become a far cry from its documentary origins.
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(Rymsza-Pawlowska, p38) However there are also cultural reasons for this emergence, as well as a growing viewer fascination with this representation of the “real.” Here I will attempt to examine the difference in features between the “reality TV” genre and the more traditional, “documentary” genre. There are many conceivable explanations for this explosion of reality programming, one of the more pragmatic being simply that “from the side of production, reality programs, with the absence of highly paid actors and writers, are less expensive to produce. Over the past two decades, reality TV has undeniably become one of the dominant genres in contemporary television programming.